How Cho Jin-woong Manufactured ‘Ryuk-sa: A Teaser’ — A Korean Superhero Quick Movie With Major Ambition

How Cho Jin-woong Made ‘Ryuk-sa: A Teaser’ — A Korean Superhero Short Film With Big Ambition

Ryuk-sa: A Teaser

Picture it: a pretty lady wanting somewhat anxiously by means of a window with the sun shining gently on her as she sits in a cafe with tender audio taking part in on a record player in the background. Who could she be ready for? Her lover perhaps? This is just a smaller style of the opening sequence in Ryuk-sa: A Teaser, a superhero shorter film by South Korean actor Cho Jin-woong (The Devil’s Offer, The Handmaiden), and composed by Cho and collaborator Park Hoon-youthful.

The film which is Cho Jin-woong’s directorial debut, had its international premiere at the 2021 New York Asian Movie Competition is a good and entertaining preview of a attribute film Cho hope to have designed some working day. As a teaser — pun totally intended — it completely sets up a world exactly where heroes can be any one all around us, like Han Bok-pan (Kim Sung-hoon) a member of High and Mighty, the neighborhood beginner baseball staff who comes to the rescue of Oh Gyu-ra (Kim You-lee). Trapped under tons of crumbled concrete and twisted steel right after a making collapses, Oh Gyu-ra screams for help in the hopes rescuers can obtain her in time, and as soon as she does, it happens in the most unexpected and truly chortle out loud amusing manner doable.

In an interview conducted by means of e-mail, Cho Jin-woong  spoke about the strategy of every day heroes among the us, and crafting a story wherever the hero not only gets the female of his desires, and structuring a shorter film to provide as a comprehensive story but create curiosity and curiosity about the characters and the prospects this entire world has to offer you to want additional.

Observer:  I assume it is a terrific thought to use a small movie to act as a preview for an intended feature film, and framing it around a specific party presents a complete tale when leaving just ample for audiences to want additional, was good. When was Ryuk-sa: A Teaser first pitched to you, and what was your reaction to author Park Hoon-young’s strategy?

Cho Jin-woong: The plan for this movie came additional than 10 yrs back. I unintentionally came across the term “Ryuk-Sa” on the Online. I clicked on it pondering it is likely a “record of strong people” of some kind. I uncovered a brief short article — I simply cannot even cite its correct source — that contained “stories of persons who utilized bodily energy.” I have not imagined about this locating for a extended time. Then one particular day, a considered went by means of my brain that their descendants might be the superheroes of today.

It is not simple to ignore the man or woman who saves your everyday living.

I labored on the script with Park Hoon-young. I informed him the tale, and he wrote it down. In other terms, the script grew to become the storyboard. This permitted me to retain just about every picture in my head from the initially scene to the last one particular. However it is only a 15-minutes-extensive quick film, the toughness is in that it is a preview of a function film, which drives the curiosity of the audience.

Centered on the tale and props used, like the action figures in the café, it is really obvious superheroes and the style are a significant component of the film, was building your very first film about a superhero a little something you always dreamed of, and did that really like of those people forms of figures make it less difficult to acquire the story for filming?

Truly, no one particular around me was intrigued in this story, so I went forward and manufactured a shorter film out of it. You can assume of it as a reference piece to get investors in building a characteristic movie. I guess this movie also shouts, “l wanna make additional.”

I laughed all through this movie simply because it is genuinely humorous to me, and a person of the points I truly take pleasure in about it is how cleverly meta it is from the incredibly commencing. The opening shot designed me chuckle because the literal title of the history revealed interprets to “preview” in English, which is an additional term for teaser, which is section of the film’s true title. Whose plan was it to present the title that way, and who’s the singer undertaking the tune getting played?

I selected the track and its placement. Park arrived up with the plan for the record title, which I thought was not a bad entrance to make, so I reflected the thought.

The tune is by this Korean married pair who shaped a duet named, Gentleman and Wife Duet. It was suggested by a near acquaintance, and I just realized that it was a excellent tune for this movie.

Ryuk-sa: A Teaser

Would I be proper in guessing the song is referencing the plot, and telling the upcoming, as the term preview means to give a trace at what is to arrive?

Sure. The two people are lovers, in the commencing phase of their really like. That’s why I picked the music by Man and Spouse Duet. It implies that their appreciate will come to fruition by the conclude of the movie. In the characteristic film, they will surface as a married few.

I believed the commencing was pretty exciting and distinctive because it type of sets up the tale almost as a interval movie, maybe in the late 30s due to the a little hazy, dreamlike excellent to the lighting around Kim You-lee’s character Oh Gyu-ra, but then the visual appeal of one more couple, superhero figurines, and a male in a T-shirt makes this unexpected sudden humorous instant, because you comprehend “Oh, wait…it’s established in the existing!” How a lot of of those people small touches had been in the script, or had been believed of for the duration of filming?

The scene was really intended to give a relatively intimate experience. I composed the shot with a steady flow with the colors a little bit blurry. It was also supposed to distinction with the collapse scene. As for the collectible figurines, they are symbolically positioned to foreshadow the superhero style.

Due to the fact Ryuk-sa: A Teaser is pretty much a teaser, we’re not supplied a great deal information about the figures. For Oh Gyu-ra, what I obtained was that she’s watchful about her environment in the way she sets the Superman figurine upright on the windowsill, tenacious and established in how she survived beneath the rubble for as extended as she did, and in discovering Han Bok-pan (Kim Sung-hoon) with only a towel to use as a clue. Could these things be a minimal bit of foreshadowing about how she affects his everyday living?

It’s not quick to fail to remember the man or woman who saved your lifetime. I commenced the film with the reuniting scene for two factors. A person, Gyu-ra ought to have a sturdy need to repay Bok-pan for conserving her lifetime. Two, I built the tale close to a happy ending of a marriage. To insert a minor, a hero’s story normally ends with two eventualities. Possibly the hero leaves with his back experiencing all those who he/she saved, or the hero magically reappears in front of the story’s heroine. Bok-pan has completed additional than sufficient by saving Gyu-ra’s lifestyle, so I imagined in my film the heroine goes out to satisfy the hero all over again. Also, from the commencing, I experienced in brain that the individual he marries must be an common girl.

I did not want my hero to healthy into a stereotype. I required to technique the audience with each day scenes and language. The humor can be a little bit silly but can make all the things a lot more approachable.

I discovered that not a lot of Han Bok-pan himself is revealed to the audience. Most shots function him both a bit out of focus, obscured by props — like the mild fixture in the café, or in closeups with only his fingers, torso, and ft centered on. For the reason that he’s filmed this way, what had been you searching for with the actor who would play him, and how did you make a decision on Kim Sunlight-hoon?

I did want the hero to have a big develop, but not way too large. If there was no a single right, I was completely ready to enjoy him myself. Initial, I requested my faculty junior Kim Sung-hoon. I consistently informed him, “Your face won’t surface in the monitor, not a single little bit.” He gladly approved the role, but I even now felt lousy about it, so I also casted him to perform the news anchor. It came out nicely.

I decided not to expose Han Bok-pan’s facial area to have a perception of thriller and give the viewers flexibility to envision his experience. Extra importantly, the fact that Han Bok-pan is extremely a great deal authentic and present but has his facial area concealed implies the chance that it can be anybody. That anyone in the viewers can be the hero.

Can you convey to me a bit about the humor in the film? I adore that it’s this kind of off-beat humor that doesn’t arrive from actual jokes, but times that never very match up with the scenario actively playing out on display. For instance, the shirt falling specifically on Oh Gyu-ra’s face, and the absurdity of Han Bok-pan’s mother fretting about him staying somewhere with a unusual female.

I did not want my hero to suit into a stereotype. I needed to approach the viewers with every day scenes and language. The humor can be a bit silly but can make all the things more approachable. I attempt to exclude any humor that appears far too intentional or too much. For the reason that I personally appreciate the daily humor in my existence.

Ryuk-sa: A Teaser

About the enhancing, my most loved scene is when the tone shifts out of the blue and turns into intensive as the digital camera zooms in on Oh Gyu-ra’s eyes, and her expression variations from unhappiness to terror and the scene modifications to her being trapped in the rubble. Kim You-lee gave a good functionality and the VFX was flawless, so those people two moments actually stood out to me. Communicate a bit about filming individuals scenes with her, and the enhancing system.

I imagined this shot to be “one scene one cut” and not be segmented. I did not need various shots of Oh Gyu-ra, and the scene was completed as a result of several collaborations with my crew. The publish-creation of this scene was certainly enjoyable to operate on. In phrases of Kim You-lee’s acting, she experienced to act two opposing scenarios in the scene. Following lots of conversations with her about the scene, I simply just made the environment for her to do her point. Kim You-lee should really get all the credits for this. I’m glad to listen to that it was memorable, and I thank the actors.

 How lengthy did it consider to get this job produced, from conception of the story, through discovering investors and ultimately put up-production?

The first system was a thirty day period of pre-output, five days filming, and 1 week of submit-generation. Even so, when COVID-19 hit, it was an all-cease condition for the film industry. Immediately after ready in excess of a calendar year, we spent about two months of write-up-production this calendar year, and the movie was eventually introduced. I would like to convey my gratitude to the assistant director who confirmed good perception of duty as a result of the unspeakable hardships.

As you have been an actor for a lot of several years, you have working experience remaining in front of the digicam, and developing your characters with writers and administrators, what was it like to be portion of the collaboration course of action as a director and obtaining much more manage of a task?

It was a excellent encounter. I had rather a bit of knowledge directing performs, but it was my very first time directing a movie. Everything aside, I thought I realized how challenging the workers worked on every single scene, but I realized that I actually didn’t know it was that significantly do the job. After currently being in entrance of the digicam for so very long, I was excited to see, sense, and be in the motion behind the digital camera. Seeing it all, I am additional decided to respect their positions and roles in the potential. I would not trade this extraordinary practical experience for everything else. I would like to express my gratitude and regard to all the team.

Based on the credit rating sequence and Ryuk-sa translating to “history of history” in English, are there ideas for the attribute movie or movies, take a look at major occasions in South Korea’s historical past, like the collapse of the Seongsu Bridge in 1994?

Even although a superhero is only a fictional character, it shouldn’t distort actual gatherings in background. So, I most likely will not be discovering heritage or political troubles.

When, not if, when you are able to generate this as a aspect movie (I’m genuinely seeking ahead to it occurring), will you keep on the story from wherever Ryuk-sa: A Teaser finishes, or flesh out its plot additional to demonstrate what transpires in the time durations demonstrated in the credit score sequence?

This film is like a sequence from an meant function movie, so I think the story will obviously continue on from there. The very last sequence have to arrive back again, so I program to use it in the commencing of the feature movie.


This interview has been edited for size and clarity.

Ryuk-sa: A Teaser premiered at New York Asian Movie Pageant and Fantasia Competition earlier in August.

How Korea’s Cho Jin-woong Made ‘Ryuk-sa: A Teaser’ — A New Kind of Superhero Short Film